libretto by Alessandro Striggio
Dec 1, 3, 5 & 6 2004
City Recital Hall Sydney
Orfeo is the often counted as the first true opera, though there were a number before this. Monteverdi chose a fitting subject for his masterwork, and it's a subject very dear to opera composer's hearts.
From the glorious Toccata beginning the work to the tour-de-force that is the centrepiece of the work - Orfeo's Possente Spirto - this is a magical and awe-inspiring work.
One of the most memorable musical experiences of my life and the finest thing that Pinchgut has done so far in what has been 3 years of musical and dramatic excellence. I don’t really want to single anyone out since just about everyone performed their roles so splendidly but, not knowing beforehand what to expect, I was utterly bowled over by Charon/Pluto’s marvelous singing and moving. I can’t recall ever hearing or seeing before something that seems to correspond so closely to the felling evoked by the ghost in Hamlet. For the first time in my experience we really were transported to the land of the dead - or, rather, the classical underworld. The staging, the superb singing and the splendid orchestral playing - all struck just the right note. Here was the genuine feeling of Greek tragedy overlaid with Renaissance humanism - the classical austerity combined with moments of celebration of the power of the human. I could go on and on but won’t; I simply want to congratulate all the performers on having provided us with such a near-perfect version of a wonderful piece of music. The only problem now is: how are you going to top this next year!
Last year you brought The Fairy Queen alive as the wittiest and most intellectually engaging opera. Pinchgut’s Orfeo would have to be the most emotionally engaging (gut wrenching) opera I think I’ve ever been to.
It was just truly wonderful. I was in tears half of the time - a real healing force, that work. And so moving. Just can’t think of anything to say, other than I loved it.
Words rarely fail me, but the first night of Orfeo left me searching for adequate expression of the most thrilling enjoyment I experienced from that magic perfect performance of Monteverdi’s wonderful music ... we were absolutely entranced by it all. I knew the music was wonderful - but it has to be superbly performed and it was, by all the soloists, a marvelous chorus and fantastic band. We will be there next year with our ears pinned back!!
it engrossed, even entranced us, as it levitated us from the here and now backwards in time to the world of Claudio Monteverdi.
OPERA-OPERA
A passionate enterprise for everyone involved, Pinchgut’s L’Orfeo has a spirit of freshness and enthusiasm that is both appealing and rewarding.
THE AUSTRALIAN
Mark Tucker Orfeo
Sara Macliver La Musica / Messagiera / Proserpina
Damian Whiteley Charon/Pluto
Paul McMahon Pastore / Eco / Plutone
Brett Weymark Pastore / Eco / Plutone
Penelope Mills Euridice
Josie Ryan Ninfa
Anna Fraser Speranza
Philip Chu, Jenny Duck-Chong, Craig Everingham, Belinda Montgomery, Dan Walker, Raff Wilson Pastores
David Greco, Benjamin Loomes Spirits
Cantillation, chorus
Orchestra of the Antipodes – Sophie Gent, leader
Antony Walker conductor
Mark Gaal director
Mark Gaal and Alice Lau designers
Bernie Tan lighting designer
Nicole Dorigo language coach
Sarah Smith stage manager
Toccata
Possibly the most famous introduction to all operas, this is Monteverdi's music in its majesty and glory.
Orchestra of the Antipodes, Antony Walker conductor.
Lasciate i monti ... ma tu, gentil cantor
The celebrations of Orfeo's and Euridice's approaching marriage includes dancing and well wishes.
Jenny Duck-Chong, Cantillation, Orchestra of the Antipodes, Antony Walker conductor.
Rosa del ciel ... lo non diro quai sia
One of the most beautiful love songs ever; Orfeo sings to his beloved Euridice.
Mark Tucker, Penelope Mills, Orchestra of the Antipodes, Antony Walker conductor.
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